• We continue and conclude our conversation with the late great Irish drummer . . .

  • We bring our 2001 conversation with the late, great pipe band drumming innovator and leader . . .

  • We conclude our conversation with a piping pioneer, exclusively for subscribers . . .

  • We continue our conversation with a piping pioneer, exclusively for subscribers . . .

  • We continue our conversation with a piping pioneer, exclusively for subscribers.

  • We begin our inspiring conversation with a piping pioneer, exclusively for subscribers . . .

  • For the first time ever, Ken Eller hears the truth about his ouster as leader, which 23 years on turns out to be nothing but a colossal misunderstanding . . .

  • We continue our historical interview with eight former members of the Clan MacFarlane, a band that set the Grade 1 standard in North America . . .

  • We continue our extensive reunion interview with eight former members of one of history’s most important pipe bands.

  • Featuring superb video, we bring together eight members of the legendary Clan MacFarlane Pipe Band of St. Catharines, Ontario, one of the world’s most influential piping and drumming groups . . .

  • We conclude our four-part interview with the late Glasgow-based piper, bandsman, teacher and adjudicator.

  • Our conversation with the late great “Angus J.” continues, in which he discusses the RSPBA, pipe band judging, perceived biases and the influence of his teacher, Donald MacLeod.

  • We continue our archival interview with the late Angus J. MacLellan, in which he discusses being a right-shouldered piper, the early days . . .

  • On October 12, 2013, the piping and drumming world lost Angus J. MacLellan after a long illness. Fortunately, pipes|drums conducted an extensive interview with him in August 1997, which we bring to subscribers now in several parts. We include the original introduction and text originally presented in 1998.

  • We resume our exclusive pipes|drums Interview with Jack Lee, one of history’s greatest Highland pipers, in the fourth part for subscribers to the magazine. In this installment, Lee delves into his solo piping career and even talks about his perhaps apocryphal reputation for games-day intensity, his legendary 1981 Silver Star MSR at the Northern Meeting, and his surprising practice routine.

  • In the third instalment of our exclusive interview for pipes|drums subscribers, the renowned solo piper and pipe-sergeant of the Grade 1 and six-time World Champion Simon Fraser University Pipe Band delves into becoming and staying competitive on a world level for many years, teaching programs and succession planning for leaders. Jack Lee delves into the problems, challenges and rewards for pipe bands today, and the increasingly difficulty of satisfying and sustaining the demand for ever more and talented personnel, and the need for professionalism within the ranks, and how vital Leading-Drummer Reid Maxwell has been to the band’s success.

  • In the second part of our exclusive interview with world renowned piper Jack Lee, he discusses his history in pipe bands, including the Port Moody, City of Victoria, CP Air, and, of course, Simon Fraser University. In Part 2, Lee speaks frankly about prizes narrowly missed and the critical nickname by the haters for SFU as “The Borg” – an unstoppable force in the Pacific Northwest that sucks in all around it. He goes into the early days of SFU, and the origins of quality piping and drumming in British Columbia that helped set up a positive environment in which the eventual six-time World Champions could evolve.

  • Is there a more all-round successful piper currently competing today than Jack Lee? Not likely, and that’s not likely to change for the foreseeable future. Since the 1970s, the Simon Fraser University Pipe Band Pipe-Sergeant has consistently scooped up the world’s biggest prizes in solo piping, while helping to guide his band to six World’s titles, along the way teaching thousands of young pipers and conducting workshops with dozens of bands. His solo achievements are huge and they continue, most recently by winning the Senior Piobaireachd at the Argyllshire Gathering and the MSR at the Glenfiddich Championships. The first installment of five, continuing our series of interviews that dates back to the mid-1980s.

  • The SFU leadership change: a video interview with P-M Alan Bevan and Terry Lee The SFU leadership change: a video interview with P-M Alan Bevan and Terry LeeOctober 5th, 2013

    The more than 30-year tenure of Terry Lee as Pipe-Major of the Grade 1 Simon Fraser University Pipe Band is one of the longest in the history of top-tier pipe bands, and when he handed the reins on September 28, 2013, to long-time SFU member Alan Bevan it was a historic moment. Under Lee’s direction, SFU has been World Champions six times, runner-up nine times and finished in the top-three more in more than half of their appearances at the contest since 1983. In this exclusive video interview, pipes|drums hears directly from Alan Bevan and Terry Lee about the future for the band, some of the reasons for making the move now . . .

    Read more » | 2 Comments
  • In this the fourth and final installment of the pipes|drums Interview with Roddy MacLeod, we discuss the origins of the Piping Live! Festival, which just officially kicked off its tenth anniversary year with the biggest slate of programming in its history, and go into the legacy that the MacLeod has built so far. MacLeod talks about his greatest moments in piping, how he approaches his competition repertoire, and the opportunities and challenges ahead for the National Piping Centre.

  • In the third instalment of our exclusive interview with Roddy MacLeod, the Director of the National Piping Centre and the Piping Live! Glasgow International Festival of Piping discusses in detail the relationship with Glasgow’s College of Piping. He looks back to the origins of the Piping Centre, when the late Seumas MacNeill had a central role in its beginnings, only to fall out over a leadership disagreement. In Part 3, among many other topics, MacLeod takes an inward look at his career, and his professional contributions to the art.

  • We continue our exclusive discussion with Roddy MacLeod, one of the world’s great builders of piping. In Part 1, MacLeod remembered his earliest years as a young piper in Cumbernauld, Scotland. In Part 2, MacLeod looks back on his formative piping years with his teacher, the legendary Duncan Johnstone. He goes into his early pipe band days with the Grade 1 Red Hackle in Glasgow under Pipe-Major Malcolm MacKenzie, leading to his long tenure with British Caledonian Airways / Power of Scotland / ScottishPower and the Spirit of Scotland, and the importance of strong soloists in the mix. He then touches on why he is not a judge with the Royal Scottish Pipe Band Association.

  • We bring our subscribers an exclusive interview with arguably Highland piping’s most professional and well-rounded personalities. An extraordinary competitor, a leader of Grade 1 pipe bands, the original and existing Director of the National Piping Centre and the co-founder and leader of the Piping Live!

  • We bring subscribers to pipes|drums an exclusive interview with Robert “Bob” Turner, the former leading-drummer with the legendary Muirhead & Sons and British Caledonian Airways pipe bands.

  • We conclude our exclusive interview with Michael Grey, one of the most prolific and played composers in piping history. In this last segment Grey discusses, among many other things . . .



  • For namesakes
    Sat, 16 May 2015
    Having a tune named after you is a wonderful gesture. I can’t think of a more thoughtful and kind gift than a piece of music inspired by life and friendship. I’ve been thinking about this custom for a few weeks … Continue reading …
Read more »

May 23, 2015Alma Highland Festival and GamesAlma, MI

May 23, 2015Kingston Scottish FestivalRideau Acres, Kingston, ON

May 23, 2015Jakarta Highland GamesLippo Karawaci - Jakarta

May 30, 2015British ChampionshipsMeadow Park, Bathgate

Pipers, try not to anticipate the doubling, playing ahead of the beat. Worry about placing the G gracenote right in time and the second gracenote of the doubling will follow. Listen to yourself playing the melody with only the G gracenote.
Bruce Gandy