What musical milestones?

I was watching the movie Superbad again the other day. Seth, played by Jonah Hill, says about some girl’s boyfriend who he can’t compete with, “He is the sweetest guy. Have you ever looked into his eyes? It was like the first time I heard the Beatles.”

The hilarious crassness of Superbad aside, people talk about moments that changed the course of music. The Beatles on the Ed Sullivan Show. The Clash and London Calling. Nirvana’s Nevermind. Your choices will vary.

But how many game-changing musical moments has piping had? Not those that inspired you on a personal level (we all have those), but musical moments that altered the direction of everything. It’s an interesting and debatable question. Here are a few that I would suggest.

1957 – Edinburgh City Police Pipe Band debuts selections of small strathspeys and reels – never before had pipe bands ventured outside of marching tunes or “heavy” MSRs.

1967 – Invergordon Distillery Pipe Band‘s rendition of “The Old Woman’s Lullaby” – a groundbreaking pipe band take on ceol mor, complete (or replete, as some people may still believe) with cymbals and other colouristic percussion.

1980 – General Motors Pipe Band performs a glissando, or “slide-note,” in “My Lagan Love.”

1987 – 78th Fraser Highlanders Pipe Band, “Journey to Skye,” Balleymena, Northern Ireland – first suite by a pipe band, composed by a jazz musician, no less.

Maybe not enough time has passed yet to decide whether the Toronto Police’s 2008 “Variations on a Theme of Good Intentions” should be included, but it may well be.

Interestingly, I’m having a hard time thinking of solo piping examples. Certainly many of the compositions of  G.S. McLennan and Gordon Duncan, for example, moved the art in a different direction, as have those of other tunesmiths. But by and large groundbreaking new musical artistry is made by individuals, but made famous by pipe bands. Perhaps there was a precise moment when G.S. first performed “The Little Cascade” in public. I don’t know.

And, yes, Donald MacPherson is credited with being the first to refine consistent tuning of Highland pipe, and bands like Strathclyde Police, Field Marshal Montgomery, Simon Fraser University and Victoria Police have set standards of tuning and unison, but not sure if they sent the music in a completely new direction.

What are other examples of great musical moments in piping and drumming and pipe bands that turned things upside down?

Travelling band

I think every pipe band dreams at some point about doing “a tour.” The glamourous concept of the rock n roll lifestyle, hitting stops along the way, rolling into towns to do a show, partying all night, then hitting the road again for the next concert.

Hello, Cleveland!

British military bands are the only ones in our musical realm that can hit the road – they’re ordered to do so and the government coordinates the venture, which is as much about entertaining as it is about waving the flag. The problem with a civilian pipe band is, of course, no one has the vacation time to commit to such a thing. We all work for a living, and playing in the band isn’t a realistic income source.

The mythical rock n roll road lifestyle seems to have taken hold of several professional pipers and drummers (“professional” meaning they make a living from teaching and performing) for the first time with the “Pipes n Sticks on 66” tour planned for April. Mike Cole, Stuart Liddell, Jim Kilpatrick, Willie McCallum and Angus MacColl seem to be the first to make fantasy reality by tracking the famous old US Highway glamourized so often in song to get their kicks in a mini-bus, stopping along the way, fighting off the chicks and hoping a roadie or two will look after their gear.

It’s all part of our rock n roll fantasy: five guys in their forties (mostly) in search of the dream and the bleary lifestyle of the troubadour and the stories that will inevitably be told from the trip. To most, Bon Scott notwithstanding, Highland pipes are about as far removed from rock n roll cool as can be imagined, so the tour is a great story on its own. It should get a number of curiosity-seekers wondering if Stuart Liddell will play vintage Henderson Stratocaster drones.

We pipers and drummers secretly wish we could be rock stars. Instead we play mostly traditional music, clad in 20 pounds of wool, often standing in the rain on a farmer’s field before a crowd of family and bored friends. Some may shake their head at the Pipes n Sticks on 66 tour, but I think most of us deep down know that these guys are ticking off a box on their list of things to do before we shuffle off this mortal coil.

It’s the stuff that rock n roll dreams are made of.