The music you liked when you were younger is the music you will prefer for the rest of your life. That’s an oversimplification, and there are exceptions, but, by and large it’s true of most people.
And so, too, with pipe band judges.
If you’ve ever been frustrated by the lamentably slow pace of change in pipe band competition music and style, look no further than the relatively inflexible and stubborn judge. Just as that 50-plus-year-old guy or gal on the pen goes home after the contest, opens a can of Tartan Special and puts on that LP of Cliff Richard from 1980, they’re having a hard time getting their ears around your band’s “crazy” medley.
If they hear the latest song by Drake or The Weeknd they instantly flip the radio station (not streaming, of course) and tut-tut, “That’s nae music.” It’s a knee-jerk response, and to them there are no two ways about it. “Big Country! Now that was a band!” It is a truism of every generation: what was cool growing up carries forward as their definition of likable or acceptable music later in life.
Again, I generalize. There are exceptions. I have encountered a small number of judges my age or older who relish new music – both pop and pipe band. They have open and tolerant ears, and enjoy the surprise and delight of hearing new stuff. Sure, like me they still like the familiar music of their formative years, but they move on and treat every new song or tune as yet another fun possibility. Invariably, these people get bored quickly. They embrace change, optimistically considering it as continual improvement rather pessimistically seeing the threat of messing with a good thing. Leave well enough alone.
I like to count myself among the easily bored and change-welcoming. At age 53 I listen to new music all day as part of my job, but I have always loved hearing new music and discovering new artists. I get bored with piping when I hear or play the same things over and over and over again. Without question, I understand the competition conceit of playing familiar music flawlessly, and that can be intriguing and interesting. Striving for perfection in competition can salvage 10,000 maniacal airings of “Blair Drummond.” But, regarding the content itself, I would far prefer to hear the new than the old.
It seems to me that we need more judges with such a mindset. Perhaps pipe band accreditation exams should include a tolerance test of the unfamiliar. Not necessarily measure how much a prospective judge likes new music; just how much he or she will tolerate it. An intolerant judge is a bad judge, so test how open-minded they are. Hell, ask them to name a few of their favourite musicians or non-pipe bands. If they respond only with things like “The Beatles” or “The Stones” or “The Who” – great though they each might be – maybe they’re better to go rust away elsewhere than inflict their intransigence on us.
Mainly because of the judging, our art evolves more slowly than a lead zeppelin. Pipe bands want to win so they err on the side of caution, terrified that intractable adjudicators will put “new” music in its place as self-appointed gatekeepers of the craft and preservationists of an art and era that they grew up with.
If we’re going to move things forward, let’s make sure that our judges are musically open-eared and tolerant. It’s the right thing to do.