From the Archives: Angus J. MacLellan: the pipes|drums Interview, August 1997 – Part 3

Published: April 5, 2014

Our conversation with the late great “Angus J.” continues, in which he discusses the RSPBA, pipe band judging, perceived biases and the influence of his teacher, Donald MacLeod.

 This content is for 1 Year Subscription and 2 Year Subscription members only. Please Subscribe or Login to read the article.
VN:R_U [1.9.22_1171]
Rating: 5.0/5
VN:R_U [1.9.22_1171]
Rating: +1
The new pipes|drums app offers the same publication with a streamlined experience. Get the latest news optimized for your smartphone.
Download on the App Store

Get it on Google Play
October 22, 1949First “Echoes of Oban” night, Glasgow.
  • One last time
    Fri, 14 Oct 2016
    “The pipes will fall in front of the band.” So ordered Queen Victoria way back when, and so it has been ever since. Except at the march past of the 2016 World Pipe Band Championships when the last band on, … Continue reading → …
Read more »
UPCOMING EVENTS November 18, 2016Balmoral ClassicMcGonigle Theater, Central Catholic H.S., Fifth Avenue, Pittsburgh, PA 15213

November 19, 201621st Annual George Sherriff Memorial InvitationalSt. Paul's United Church, Hamilton, Ontario

May 20, 2017British Pipe Band ChampionshipsPaisley, Scotland

June 10, 2017UK Pipe Band ChampionshipsBelfast

June 24, 2017European Pipe Band ChampionshipsForres, Scotland

Tenor drummers: When composing rhythmical passages in a tenor drum score, don’t just think about replicating the accented phrases within the snare score, but give equal consideration towhat is happening in the melody. Question your composition. For example, if a triplet occurs in the snare score,check if that triplet exists in the melody. If not,ask yourself if there is any value to that triplet being incorporated into the tenor score. That’s just a short example, but applying that principle is a small step towards improving ensemble.
Scott Currie, SC Drumming, Uddingston, Scotland