Dump the Qualifier
Is there any band, judge or listener who actually likes the World’s Grade 1 Qualifying system? If there is, I haven’t met him or her. In Glasgow this week it seems like every other person involved with a Grade 1 band has nothing good to say about the round of playing that allows five bands to join those that managed to bypass the process.
Five years ago I wrote about how dreary and interminable all those MSRs are. Last year the first four or five bands played in cold, driving rain, and the other 10 played in relative warmth. This year 16 bands will do the same, so 11 of them, and most of those from places other than Scotland, will head to the beer tent having gone out after four minutes of playing.
The Qualifier has got to go.
There is a definite sense, too, that the Qualifier – as it is now – will indeed go. Band members seem to be optimistic that some sort of new approach will replace the current system, trusting that the RSPBA’s recent survey concluded that no one really likes the unfair scheme currently in place.
And why an MSR? The old saw contending that an MSR “separates the men from the boys” is so unbelievably dated it hardly merits discussion. Today’s bands commit probably at least twice as much creative thought and energy to their medleys, perhaps knowing that they could go out there with phrasing like Angus MacColl only to have it fly right over the heads of most judges, who seem to listen for only tone and mistakes when it comes to the sets.
So eleven bands with sophisticated and often elaborately musical medleys will go home without the opportunity to play them for the judges or the crowd, the majority of whom clearly prefer to listen to selections (just compare YouTube views of MSRs against medleys).
It’s not really clear to anyone I’ve spoken to exactly why the system is the way it is. Whatever reasoning 10 years ago for creating the MSR Qualifier is now forgotten, leaving people to wonder why there’s time to break those 60 Grade 4B bands into three sections for a final competition, and there’s not enough time to have 26 Grade 1 bands each play twice. What’s up with that?
The discussion can’t really be drawn by national boundaries. I’ve heard as much dissension about the Qualifier system from Northern Irish and Scottish bands as I have from pipers and drummers in “overseas” bands. If there’s a good reason for the MSR Qualifier I don’t remember hearing it. If you have one, please comment.
Saying “If you don’t like it, don’t play,” doesn’t wash. The World’s is the World’s. Bands hold out hope that some way somehow they will get through the Qualifier, and then go on to some rather unlikely glory. Meanwhile every year they hope for some better solution, like a two-day World’s, or returning to a system whereby all bands have to qualify for a final, as was the case in the late-1970s and early-1980s, or perhaps even a pre-qualifying system in other countries that allows non-UK bands to have an equitable chance.
Whatever the alternative, the Qualifier as it currently exists has got to go.