Highland collective

Published: January 31, 2010

Seudan at the Tron Theatre, Glasgow, Jan. 24, 2010 – reviewed by Michael Grey

 This content is for 1 Year Subscription and 2 Year Subscription members only. Please Subscribe or Login to read the article.
VN:R_U [1.9.22_1171]
Rating: 4.0/5
VN:R_U [1.9.22_1171]
Rating: 0
GET THE MOBILE APP!
The new pipes|drums app offers the same publication with a streamlined experience. Get the latest news optimized for your smartphone.
Download on the App Store

Get it on Google Play
MOST RECENT POST
  • Trumped up
    Thu, 19 Jan 2017
    So music acts and politicians are boycotting the Donald Trump inauguration. I admire them for standing firm on their political beliefs, and can understand why musicians might feel that performing at an event could be seen to suppo …
Read more »
UPCOMING EVENTS January 27, 2017Pipers Club AtlanticThe Old Triangle Alehouse 5136 Prince Street, Halifax, Nova Scotia

March 3, 2017Buffalo Bagpipe Band Club 2nd Annual Higland Ball “A Musical Progression”Brownschidle Legion Post Kenmore NY

March 3, 2017Redding Bagpipe CompetitionRed Lion Hotel, Redding, CA USA

March 3, 2017Pipers Club AtlanticThe Old Triangle Alehouse 5136 Prince Street, Halifax, Nova Scotia

April 7, 2017Pipers Club AtlanticThe Old Triangle Alehouse 5136 Prince Street, Halifax, Nova Scotia

TIP OF THE DAY
Pipers: Blow your drones without the pipe chanter for a few minutes when you first take your pipes out of the box. Initially, the blades on your pipe chanter reed and the tongues on your drone reeds will be dry (not pliable), which will make the chanter reed stiff and often too much for the drone reeds – causing them to shut off. The warm air that is blown through the drone reeds will make the tongues more pliable and receptive to handling the strength of the pipe chanter. This applies to synthetic and cane drone reeds.
John Cairns, double Gold Medallist