Jim Hutton: the pipes|drums Interview from the Archives – Part 4

Published: November 30, 2011

In this the final installment of our February 2000 interview with Jim Hutton, the late drumming luminary discusses his views on the World Pipe Band Championships, the RSPBA, teaching and his outlook on his own and the pipe band world’s future. For more than 50 years, Jim Hutton was a primary figure in pipe band drumming, playing for several decades alongside the legendary Alex Duthart in Shotts & Dykehead, Invergordon Distillery and the Edinburgh City Police. Hutton was a link with the formative years of pipe band drumming, and an important figure in the Lanarkshire area’s growth as a nurturing ground for pipe band snare drummers. In this final part he also discusses the “disease” that is pipe banding, and the fact that the best leaders are not always the best players.

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UPCOMING EVENTS October 1, 2016Australian Pipe Band ChampionshipsKnox Grammar School, Wahroonga, Sydney, Australia

October 7, 2016Willie McCallum Concert in Scotia, New YorkFirst Reformed Church of Scotia, 224 N. Ballston Ave (Route 50), Scotia, NY 12302

October 8, 2016The Nicol-Brown Amateur Invitational Piping CompetitionFirst Reformed Church of Scotia / 224 N. Ballston Ave (Route 50) / Scotia, NY 12302

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October 22, 2016World Solo DrummingGlasgow Caledonia University, Glasgow, Scotland

TIP OF THE DAY
Tenor drummers: When composing rhythmical passages in a tenor drum score, don’t just think about replicating the accented phrases within the snare score, but give equal consideration towhat is happening in the melody. Question your composition. For example, if a triplet occurs in the snare score,check if that triplet exists in the melody. If not,ask yourself if there is any value to that triplet being incorporated into the tenor score. That’s just a short example, but applying that principle is a small step towards improving ensemble.
Scott Currie, SC Drumming, Uddingston, Scotland

FROM THE ARCHIVES