Roarin’ good stuff

Published: May 31, 2007

Inveroran ¨C M¨¤iri bh¨¤n ¨°g, Stuart Liddell

 This content is for 1 Year Subscription and 2 Year Subscription members only. Please Subscribe or Login to read the article.
VN:R_U [1.9.22_1171]
Rating: 0.0/5
VN:R_U [1.9.22_1171]
Rating: 0
GET THE MOBILE APP!
The new pipes|drums app offers the same publication with a streamlined experience. Get the latest news optimized for your smartphone.
Download on the App Store

Get it on Google Play
THIS DAY IN HISTORY:
October 23, 1962Archie MacNeill dies, age 83, Glasgow.
TOP STORIES
Articles from the last three months with the highest overall ratings by readers.
  1. Memories of Boney
  2. Hundreds salute Reay Mackay
  3. Blair digital chanter promises to rock piping
  4. Forget not
  5. RISEN
MOST RECENT POST
  • #MeToo
    Thu, 19 Oct 2017
    I can only imagine what it’s like for female pipers and drummers to persevere in what is still a male-dominated – and often dominating – avocation. It’s a topic that has interested me for many years, going back to the … Continue r …
Read more »
UPCOMING EVENTS October 28, 2017Glenfiddich Solo Piping ChampionshipBlair Castle, Blair Atholl, Scotland

November 4, 2017London CompetitionsKensington Conference & Events Centre, The Town Hall, Hornton Street London

November 5, 2017Bloomington Pipers’ Society November GatheringSt Thomas Lutheran Church, Bloomington, IN

November 10, 2017Silicon Valley Pipe & Drum WorkshopSaratoga, CA

December 3, 2017Bloomington Pipers’ Society December GatheringSt Thomas Lutheran Church, Bloomington, IN

TIP OF THE DAY
Tenor drummers: When composing rhythmical passages in a tenor drum score, don’t just think about replicating the accented phrases within the snare score, but give equal consideration towhat is happening in the melody. Question your composition. For example, if a triplet occurs in the snare score,check if that triplet exists in the melody. If not,ask yourself if there is any value to that triplet being incorporated into the tenor score. That’s just a short example, but applying that principle is a small step towards improving ensemble.
Scott Currie, SC Drumming, Uddingston, Scotland