In the final instalment of the Mark Saul pipes|drums Interview, he discusses piping and drumming “traditions,” the ebb and flow of musical creativity, and what happens when bands try to challenge the establishment. The cultural divisions that can be seen with bands from various parts of the world are exposing new concepts and leading to the constant questioning of “authority.”
For most of the piping and drumming world north of the equator, the weather outside is frightful, so pipes|drums takes you back to the summer with another Hot Stove League video. This time, it’s high-definition video highlights of Angus MacColl, the virtuoso piper from Benderloch, Scotland, performing in the 2011 Lord Todd Challenge Recital at the University of Strathclyde in Glasgow on August 11th. The Lord Todd Challenge is one of the hottest tickets of the piping year. The room is always filled to capacity, the bar six-deep and the excitement metre redlining, as five of the world’s greatest solo pipers converge in an invitational . . .
We continue our exclusive interview with Mark Saul of Melbourne, one of the leading composers and arrangers of pipe music of our time. In Part 2, Saul discusses the challenges of composing and publishing in the modern piping world, the role that the Victoria Police Pipe Band had on his work, and the band’s organization and strategy in its 1990s glory years. Mark Saul goes in to detail about the management style of Pipe-Major Nat Russell, the tuning genius of Robert Crozier, and dispels a few myths about the band that have evolved since its 1998 World Championship win.