For as long as I can remember I’ve read reports on things piping and drumming that moan about the lack of young pipers and drummers attending this or that competition or performance. They usually say something like, “It’s too bad that more kids don’t bother to listen to these great players. They could have learned something.” It has always been thus.
But attending a screening of On The Day, the documentary about the one-off (so far, anyway) Spirit of Scotland project of 2008 this week got me thinking. It’s not just most of the kids and beginners who don’t bother to attend performances – it’s most pipers and drummers of any ability, age or level of experience.
The one-time screening last Wednesday at a really nice, easily accessed theatre with a state-of-the-art sound system drew a decent crowd, but only maybe 20 were pipers and drummers. Remember, this was in a city of four-million people that may be third only to Glasgow and Edinburgh for number of players. Tickets were $12.
Whether it’s a concert by the World Champions, or a recital by a Gold Medallist, or an invitational professional competition, or a unique movie about a unique pipe band project, the vast majority of pipers and drummers who could easily attend something pretty darned excellent just can’t be bothered. Why is this?
It couldn’t possibly be that so many of us don’t actually like the music – or could it? Over the years of asking prominent pipers and drummers to list their top-five CDs of all time, I’m always struck when they don’t list any piping or pipe band recordings. It’s rare when they do. They prefer to listen to “real life” music.
Is it because we’re so competitive that we can’t stop listening with a hyper-critical ear? Perhaps it’s just too hard for pipe band folk to divorce themselves from competition, and just enjoy the music. Given that we spend so much time zealously pursuing this music-sport-hobby, it’s intriguing that we can be so often passive about it.
But I realized, sitting there watching this truly historic event – the first time in piping and drumming history that a Hollywood-produced full-length movie was being shown in a real live cinema to real life people – that so many pipers and drummers couldn’t be arsed to be a part of it, much less enjoy it. I’m pretty sure that if it were a documentary about Simon Fraser University, or St. Laurence O’Toole, or Field Marshal Montgomery the interest, or lack of it, would be the same.
So, the next time I read (not in these pages, to be sure) that well-worn cliché bemoaning today’s apathetic youth ignoring great opportunities to enjoy leading exponents of the art, I will be reminded that it’s not just the kids who can’t be bothered, it’s just about all of us.