“Good luck,” we pipers and drummers say to each other as we go off to compete. But should luck have anything to do with it? Shouldn’t luck be at least minimized as much as possible when it comes to trying to establish an equitable competition where all performers compete under the same conditions?
Unfortunately (or fortunately, depending on your perspective), luck is a traditional element in what we do. The concept of good fortune, serendipity or old-fashioned superstition pervades everyday human life. But, when we can, we humans try to mitigate the risk of bad luck by making the right choice.
I got to thinking about the luck factor while at this year’s World’s. As is habit, I figured that the bands competing in the unpredictable Glasgow rain were simply unlucky. One of the five or so Grade 1 bands that were soaked managed to survive and get through to the Final, but the rest I guess had to chalk up at least part of the outcome to bad luck.
Similarly, competitors will talk about having “good luck” with who’s judging or, more accurately, who’s not judging. Whether a band or a solo player, some judges are seen to have a bias for or against some competitors. You’re “lucky” if you have no perceived adversaries with a clipboard or on a bench.
Then there’s the luck of the draw. Playing later is preferred by most competitors, unless there’s a group of favourites clumped early-on. Then it’s lucky to compete along with them. Maybe if Field Marshal Montgomery had the luck of being drawn later – as was SFU’s good luck – the result might have been different. Maybe.
It seems to me that the role of luck should be controlled, if at all possible. By-and-large, competitors dislike leaving things to chance, so why not work to reduce the risk, especially for big competitions? If judges are seen to have biases, why not poll the competitors – as the CPA did about 10 years ago – to find out who they consider to be the fairest and most knowledgeable adjudicators? If playing later is considered advantageous, shouldn’t a seeding system be implemented? If weather is a factor, then maybe consider moving a stratospherically high-stakes event like the Grade 1 World Championship to an indoor or covered venue.
The next few weeks will see the Gold Medal, Clasp and Silver Star solo piping competitions at Oban and Inverness. These events used to be held outside, often in freezing, lashing rain. For decades now they’ve been held in indoor facilities, where at least that element of luck has been eliminated. While the Argyllshire Gathering still subjects Thursday A- and B-Grade competitors to the weather, the bouncy castle and the bad-luck pop of a starter’s pistol, the top solo piping and drumming contests are all indoors. These events are also working to ensure that only judges from a preferred list with no teaching or family perceived conflicts arising.
While “luck” is simply part of life, we try to control things that can be controlled. It’s what we humans do. Tradition should give way to common sense.