If an alien from Mars – or even a first-time-travelling piper from Inverness – landed in the middle of the Friday solo circus at Maxville they would think they’d encountered a species of insane tartaned busy-bodies, running between myriad solo events, packed shoulder-to-shoulder, in a cacophonous din of piping pandemonium.
In North America we have far too many events, trying to cater to far too many people with far too little ability. There’s a solo event for everyone, it seems, from Flourishing Grade 4 Tenor, to Novice Piobaireachd, to split heats of Grade 2 Strathspeys & Reels, to dreary 6/8 marches, to a quaint old holdover from the 1970s for amateur quality pipers looking to scoop some cash called “Professional Over-45.”
And yesterday I received in my traditional paper-and-stamps post a written notice of my home association’s annual general meeting. I nearly put the anonymous envelop straight into the recycling bin, along with the junk mail that makes up 99 percent of the stuff through my mail slot, but decided to open it.
I’m both glad and sad that I did.
The Pipers & Pipe Band Society of Ontario traditionally has its branches convene their own annual meetings, so that motions on rules can be tabled and voted on, so that they may be passed along for the consideration of the 40 or 50 folks who have the energy to turn up for the organization’s overall AGM in November. Four or five percent of the members on the day have the power to make 100 percent of the rules. It’s an antiquated system designed in the 1950s for an association that covers more than a million square kilometres that could only dream then of the technology we have today.
Among the motions from the branches this year: “. . . add a Grade 5 Piobaireachd event.” Split Grade 4 solo piping into 17-and-under and 18-and-older categories. “. . . add a Grade 3 Jig event.” A separate playoff event after heats.
More events for more people requiring more space, more time, more money, more judges, more stewards – all for less benefit.
It might seem that creating more events is a good thing. It’s not. We’re so busy trying to cater to every person who can scratch out a tune, that we foster the notion that “furthering” piping and drumming means creating more competitions. No. We advance our art by fostering its integrity, and that means that associations must ensure that we present it well, and sometimes – often, actually – that means showing less of it, but in a more impressive way.
Yes, amateur pipers and drummers should have a place to test their abilities to be inspired to improve, but we need to be judicious, and recognize that sometimes less is better.
The North American habit of creating a competition event for every piper and drummer of every interest and ability has to stop.