Accusations of bias run rampant throughout our particular brand of piping and drumming. The more focused on competition the piper or drummer is, the more it seems he/she thinks everyone has an agenda to promote, hidden or not.
Over the last few decades of putting together publications for pipers and drummers I have had a fair share of accusations of bias thrown at me: I’m a piper, so therefore I must not like drummers. I have played in a few bands; thus I must be promoting them. I play piobaireachd, so I’m suspected of disrespecting those who don’t. I live in North America, so therefore I must be anti-UK. I reside in Canada, therefore I’m anti-American. I live in Ontario, so some from other provinces assume they don’t get fair treatment. It’s all about Toronto . . . I have a bias against those not living in the west end of the city . . . I’m against shorter people . . .
And so it goes. I’ve dealt with the (usually anonymous) accusations by just continuing to do what my heart tells me is right, and creating the kinds of publications that I think people want to read. That’s all it ever was and ever will be. Readership keeps increasing, so I have to assume I’m doing something right.
By profession I work in public relations. I understand that, from relationships, people can do more good things. It follows that I generally approach people I know – those I’ve played in bands with, grown up with, competed against, received instruction from – to contribute articles, as long as I know them to be fair-minded and I respect their opinions and intelligence. It helps me when they express an interest in writing. Nonetheless I’m always delighted when people I don’t know contact me with an idea for an article they’d like to see or contribute, and over the years some of my favourite stuff has resulted from just such unplanned contact. (See Willie Donaldson.)
I try my hardest to be fair and objective when it comes to content on pipes|drums. I’m aware of accusations of bias, but I guarantee that I have no other agenda to promote than providing a publication that as many people as possible will enjoy. No one likes propaganda. There are times when I catch myself almost overcompensating, thinking I shouldn’t include articles that truly merit publication because a small minority of cynically competitive readers will suspect me of bias.
That was the dilemma I faced with the recent New Year’s Honours story. The overwhelming feedback from the panel was that the Spirit of Scotland – based on news value – should be named the Band of the Year, and that Roddy MacLeod – based on overall contributions to the scene – deserved to be Piper of the Year. Uh, oh, I thought. I’m in SoS, so what will people think if they’re named?
But, ultimately, I did the right thing and gave those that deserved the accolades – under the conditions of the system for determining the honours, whether that system is good or bad. In the meantime I tried to grow an extra layer of thick skin, but fully prepared to accept any fallout.
It’s the same predicament that a good judge finds him/herself in. The very worst judge is one who overcompensates and doesn’t award a prize to a deserving competitor for fear of being accused of bias. Our system is such that we truly respect only the opinions of people – judges, teachers, magazine editors, and association leaders – who have also done the business as competitors and performers, who understand the vagaries and challenges of competitive piping and drumming because they have experienced it. Those who talk a good tune have little credibility. Consequently our judges, teachers, editors will always be accused of bias by some, simply because their history as a player is known and there for cynical connections to be made.
Good judgment sometimes requires an element of self-editing, making sure that you do the truly right thing when you’re tempted to overcompensate and do wrong. It’s a tough job, but someone has to do it.
On second thought . . . no, I don’t . . . but I will anyway.