Our drumming duty
It’s often the most obvious ideas that are the best and often not realized for decades. The introduction of a “duty piper” for Grade 5 solo drumming competitions is a notion so clear-cut that you have to wonder why it wasn’t always offered.
We pipers have always understood that competing in solo competition fosters involvement and skill, which are then transferred to pipe bands. Bands full of players who also compete in solo competition are inevitably better in terms of technical ability.
As long as I’ve been around pipe bands, I’ve known that all pipe bands could use more snare drummers. We’ve all seen bands fold because they don’t have enough snare drummers, and every year there are several bands that can’t compete due to a thin snare line.
Solo drumming competitions are not, of course, “solo” at all. They require a piper, since a major challenge is how well the competitor accompanies live music and all its spontaneous changes and nuances. Drummers are constantly challenged to find a piper willing to practice with the drummer and then hang about waiting for the competitor’s turn to come up. It’s a lot to ask of a piper, who often has other things to do, like his own solos or sleeping-in.
The obvious idea is to provide a piper, who is standing by ready to play a score to a number of set tunes. In time I think this approach could be something like that of Highland dancing, where a few pipers take turns playing for snare drummers, offering a repertoire of 10 or so set marches, strathspeys, reels, hornpipes and jigs.
My prediction: offering a piper for solo snare competitors will be adopted by many associations around the world, and the PPBSO will gradually apply it on up the grades. We can either sit around bemoaning the lack of available drummers for another decade, or we can do something about it. Encouraging and fostering snare drumming is not just smart, it’s our duty.