The technically “perfect” game (for non-baseball fans this is a game in which one side never reaches first-base; it’s happened only 20 times in the 130-year history of Major League Baseball) pitched by Armando Galarraga of the Detroit Tigers the other night was nullified by a mistake in judgment by highly-respected veteran umpire, Jim Joyce. On what should have been the final, 27th-straight batter grounding out, Joyce ruled the batter safe at first, thus spoiling the rare perfect game and the no-hitter.
Baseball fans immediately wondered whether the umpire’s decision would be overturned by the Commissioner of Major League Baseball, by overwhelming video evidence that the umpire erred, but Bud Selig decided against that. He contended that “the human element” is an integral part of the game, so the decision would stand, even though he, the umpire, Galarraga and everyone even remotely interested knows that it was in fact the twenty-first perfect game. What a shame.
The age of instant recording has also affected piping and drumming competitions. It probably started in 1974 when Bill Livingstone famously had his second-prize revoked in the Gold Medal at the Northern Meeting when a listener in the audience cannily produced a tape recording showing that he had made some note mistakes. After the results were announced, upon hearing the recorded evidence the judges convened and decided to alter their list. Much hue and cry ensued, but it probably helped to put a spotlight on Bill, who went on, as we all know, to greater things.
Today instant replay is more than ever a factor. Video from pipe band competitions is available within hours of even the least significant of contests. More than once, there have been some visual things – blown attacks, hitched bags, dropped sticks – that seemed to have not been noticed by the judges.
There’s a school of thought with many judges that it’s only what’s heard that ultimately matters. Who cares about false fingering if you can’t hear it? A piper might not “get up,” but if it didn’t affect the sound, then what difference does it make? Didn’t that bass drummer play just fine with one mallet? The bagpipe sounded great without a middle-tenor going, so why get all worked up?
There are other judges who feel that these technical “errors” should be punishable. If you can see the mistake, then it should be duly assessed. The assumption is that if you detect it with your eyes, there must be some negative impact on the sound.
The Sunday morning quarterbacking that now goes on on YouTube is bigger than ever. This is the pipe band world’s version of instant replay, and perhaps it’s not beyond the realm of possibility that results can be altered by the officials, if the oversight is grievous enough. But that’s unrealistic.
What is realistic is a post-event conversation between judges before each submits his/her final result. In effect, this is as close as we should come to reviewing the recording to share notes to increase the likelihood of a fair result being rendered. The consultative judging process acknowledges that our competitions are subject to the human element, that mistakes might be made and that no one is perfect.