MOST RECENT POST
  • Fond farewell
    Sat, 21 Feb 2015
    Two years ago, after about eight years away from it, I was looking for a piping change, so had another go at solo competition. I’d stopped shortly after my mother died suddenly in 2003, having lost the desire to keep … Continue re …
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UPCOMING EVENTS March 7, 2015PPBSO Ottawa Knockout FinalsOttawa

March 7, 2015Flanders Red Cross Trio Piping CompetitionHamme, Belgium

March 8, 2015Brüggen Piping SchoolBruggen, Germany

March 14, 2015The Agnew-HarrisonHamilton, Ontario

March 21, 2015Arizona Scottish GamesSteele Indian School Park 300 E Indian School Road in Phoenix

TIP OF THE DAY
Tenor drummers: When composing rhythmical passages in a tenor drum score, don’t just think about replicating the accented phrases within the snare score, but give equal consideration towhat is happening in the melody. Question your composition. For example, if a triplet occurs in the snare score,check if that triplet exists in the melody. If not,ask yourself if there is any value to that triplet being incorporated into the tenor score. That’s just a short example, but applying that principle is a small step towards improving ensemble.
Scott Currie, SC Drumming, Uddingston, Scotland