Robert Mathieson: The pipes|drums Interview

Published: June 30, 2008

Part 1: the early years, Johnny Barnes, loyalty and the formulation of the distinctive Shotts sound

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UPCOMING EVENTS February 23, 2017Pittsburgh Piping Society (Smallpipes Night)Cafe Sam 5242 Baum Blvd. Pittsburgh, PA 15224

March 3, 2017Buffalo Bagpipe Band Club 2nd Annual Higland Ball “A Musical Progression”Brownschidle Legion Post Kenmore NY

March 3, 2017Redding Bagpipe CompetitionRed Lion Hotel, Redding, CA USA

March 3, 2017Winnipeg Scottish FestivalCanadinns Polo Park

March 3, 2017Pipers Club AtlanticThe Old Triangle Alehouse 5136 Prince Street, Halifax, Nova Scotia

TIP OF THE DAY
Tenor drummers: When composing rhythmical passages in a tenor drum score, don’t just think about replicating the accented phrases within the snare score, but give equal consideration towhat is happening in the melody. Question your composition. For example, if a triplet occurs in the snare score,check if that triplet exists in the melody. If not,ask yourself if there is any value to that triplet being incorporated into the tenor score. That’s just a short example, but applying that principle is a small step towards improving ensemble.
Scott Currie, SC Drumming, Uddingston, Scotland