Editorial

As a member of the PPBSO, you have the right to actively participate in this meeting and use the tools available to delay or oppose the amendments. Here’s how you can exercise your legal rights.

Under the premise of a straightforward adoption of bureaucratic changes in order for the PPBSO to be legally compliant under the new Ontario Not-for-Profit Corporations Act (ONCA) to meet a “deadline” of October 19, the PPBSO is trying to slip through new bylaws that give its Board of directors sweeping powers that are not in the interests of its fair-minded members.

Any association sanctioning a competition has the right to advise a competitor who they believe is entering the incorrect grade for their playing ability. What competition organizers have no right to do is re-grade a band, solo piper or drummer who is not a member of their association.

While the handover of power in a pipe band is rarely as cut-throat as what we see on TV, the lack of a cohesive and clear succession plan can bring disaster to a once-thriving and homogeneous family of pipers and drummers.

The contest that spotlights only the performances, not the judging, before, during or after the event occurs is invariably the most appealing to the contestants and the audience. All they remember is the good playing and the fair result.

The world of piping and drumming can be a strange and unusual place for non-piping/drumming parents of young kids who become involved with the art. As a child of a mother and father who knew nothing about the mysterious and exclusive club before allowing their boy to become involved, I now recognize how difficult it can be, even more so after teaching young pipers plunging into our pool of competition, decorum, and tradition.

“If they don’t understand flourishing, cannot perform flourishing, and are not experts at it, why do they think they have the qualifications to comment on it?”

I love merging two passions into a publication that gets daily positive feedback from readers and, judging from its ever-increasing readership, is appreciated by thousands daily.

The tiebreakers we use were made for a different era. Today, they make little sense, and, like so much in piping and drumming, they’re perpetually used either out of habit or sheer laziness.

“Highland games are a partnership between the band association, bands and local organizers. Each is important to the end result, and none is more important than the others.” Dave Bruning, Pipes and Drums Chair for the Wisconsin Highland Games, discusses the challenges many of today’s competition organizers face.

The Royal Scottish Pipe Band Association’s ability to secure all five major championships is nothing less than remarkable. The organization deserves full credit for voluntary hard work, determination, and savvy business acumen.

There’s a saying in the music industry: a good song is a good song, no matter who covers it or how it’s done. That’s true. Think of all those renditions of familiar hits you like. They may not be as good as the original, but they’re generally good and often even better. You recognize them. They immediately attract you with their familiarity. At Christmastime, we hear arrangements ad infinitum of classic carols and holiday songs done by pop stars. This is intentional. Artists and their labels know that the music-buying public will at least give them a listen.

Editor’s note: pipes|drums welcomes all fair persp …

Editor’s note: with an aging population in most pa …

Because they have not done it, they can’t appreciate it, so they treat the competitors with a cavalier, it-doesn’t-matter attitude.