The Piping Live! festival is calling out to pipers (including practice chanter players), pipe band drummers and drum-majors of all ages and abilities to join the 2026 Big Band in aid of the My Name‘5 Doddie Foundation, the charity founded by a legendary Scottish rugby union player and prominent campaigner […]
The second part of our exclusive series of conversations with the musical leaders of the world’s top Grade 1 bands, discussing the construction, orchestration, arrangement, and intentions behind their new medley is Peoples Ford Boghall & Bathgate Caledonia. The band was second at the 2026 British Championship at Ingliston, on […]
Dr. Donaldson says about the tune: “Another tune whose modern popularity seems to stem from its being set for the great annual public competitions. It was first published in Angus MacKay’s collection, and its appearance there probably militated against too frequent occurrence in the nineteenth-century manuscripts, since most serious pipers probably had access to MacKay either directly or through transcriptions.”
Fifty-eight bands competed in the five grades at the 2026 Chicago Scottish Festival at a hot and sunny DuPage County Fairgrounds, where reigning World Champions Inveraray & District won both Grade 1 events, with 16 firsts from the eight-judge panels, against St. Thomas Alumni from Houston.
Jono Quay of Melbourne continued his solo piping hot streak with an overall win of the A-Grade events at Haileybury College, the third of five annual Victorian Pipers’ Association contests. Tayla Eagle was the aggregate B-Grade winner, and Michael Stewart, Dylan Tran, and Fergus McKittrick won the overall C-Grade, D-Grade and Juvenile trophies, respectively.
We received the following plan from Colin MacLellan, a frequent contributor to pipes|drums and a famous competitor, judge and teacher. While the plan is more specific to the Senior solo piping competitions in the UK, it is both noteworthy and applicable to the worldwide piping community.
About this relatively brief piece, Donaldson writes: “The tonal family to which ‘Salute on the Birth of Rory Mor’ belongs begins with the tune Colin Campbell called ‘Brian O duffs Lament’ (elsewhere known as ‘The Frenzy of Meeting’), and continuing through ‘The Brother’s Lament’; three nameless pieces; then ‘A Glass,’ ‘Aird’s Lament,’ and what Colin Campbell calls ‘Glass Mhoir’ (which is nowadays known as ‘The Finger Lock’), ‘One of the Cragich’ (‘Hiotrotra hinbainbain’) and ‘McNeil is tighearna ann.'”
Nine bands and exactly 100 soloists competed at the South-East Asia Championships at St. Xavier’s Institution, Georgetown, attracting entries from Malaysia, Singapore, Hong Kong, Thailand, and Australia. Rockingham City from Western Australia was the top winner in Grade 4B, capturing both the Medley and Marches events against three other bands. Lion City was the only entry in Grade 4A.